How can I submit my idea to Quirk?
We love smart, original, cool, and fun books! If you are an agent, please refer to each editor’s blurbs below.
If you are an author who would like to submit directly to Quirk, please submit to email@example.com. This inbox is monitored by our editorial assistant, Jessica Yang. If you think your project is a good match for a specific editor, feel free to note that in your query.
Please note: we only review digital queries and sample material. No physical submissions, please.
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Jhanteigh Kupihea (Editorial Director) is looking for exceptionally written, high-concept adult fiction. She loves horror and speculative fiction that asks a big "what if?" question with high emotional stakes. She's especially attracted to social justice themes in these genres. She also loves fun, voice-y novels for women, especially ones that focus on female friendships or subvert romantic comedy tropes. Regardless of the genre, she gravitates toward distinctive voices and anything that plays with unusual structures, so think of her for your modern update on the epistolary novel or your interactive novel.
In gifty non-fiction, she's looking for books about the highly visible aspects of popular culture, including TV, movies, celebrities, and self-care trends. In narrative nonfiction, she's looking for books about the less visible people and forces that have shaped our culture in unusual and/or meaningful ways.
Alex Arnold (Senior Editor) is looking for high-concept stories for the young and young at heart. In YA, she'd especially like to see genre-bending, high-stakes fiction that grapples with social justice in surprising ways; psychological thrillers; queer rom-coms; and nonfiction at the intersection of pop culture and social issues. In middle grade, she's drawn to dark and strange magic a la Coraline, clever twists, and nonfiction that uses fun, humor, and inspiration to bring readers to new topics. In picture books and board books, she's looking for concept-driven, funny, and joyful read-alouds.
In all categories, she is on the lookout for diverse, underrepresented voices, stories that play with structure and format, characters that could step off the page, and atmospheric settings that make her feel transported.
Rebecca Gyllenhaal (Assistant Editor) is on the lookout for high-concept commercial nonfiction and fiction for adults and welcomes diverse authors and pitches.
In adult nonfiction, her bread and butter is pop history, but she is also interested in pop culture-driven projects and gift books with an off-the-wall sensibility. She is open to humor and is seeking any project that can capture that particular darkly absurd millennial sensibility. Any project driven by cultural obsession and/or affection is likely to catch her eye. Some of her personal obsessions include cults, conspiracy theories, bizarre subcultures, weird history, folklore, hauntings, and all things strange, macabre, and obscure.
In adult fiction, she is looking for concept-driven novels, especially in the realms of mystery, psychological or domestic thriller, and horror. (Bonus points if it features an unusual setting and/or loads of atmosphere.) Her greatest love is Gothic fiction, especially when it deliberately plays with the tropes. She is also open to genre-adjacent fiction with a literary bent. Loose retellings interest her: if you have a haunted house story with a twist or a modern update on Northanger Abbey or The Picture of Dorian Gray, send it! She also loves novels that meditate on new technologies, the gig economy, and late capitalism. All fiction must have a beating heart, a strong voice, a tight plot, and a fresh, grabby hook.
Rebecca also writes and edits the licensed Pop Classics series, which adapts cult classics films and TV shows into picture books.
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