About the Book
“Clay McLeod Chapman is one of my favorite writers. His books are always white-knuckle reads—blazingly original, gorgeously written, and profoundly chilling.”—Riley Sager, New York Times best-selling author of Survive the Night
“Clay McLeod Chapman’s guided tour of a shroom-and-gloom ghost world, where everyone is addicted to death, reads like a scared straight program that horrifies you into choosing life.”—Grady Hendrix, New York Times best-selling author of The Final Girl Support Group
For fans of Riley Sager and Paul Tremblay, a terrifying supernatural page-turner that explores ghosts, grief, and god complexes.
Ever since their on-again, off-again college romance, Erin hasn’t been able to set a single boundary with charismatic but reckless Silas, who’s been chasing the next big high since graduation. When he texts her to spring him out of rehab, she knows enough is enough. She’s ready to start a career, make new friends, and meet a great guy—even if that means cutting Silas off. But when Silas turns up dead from an overdose, Erin’s world falls apart.
When Erin learns that Silas discovered a drug that allowed him to see the dead, she doesn’t believe it’s real but agrees to a pill-popping “séance” to ease her guilt and pain. When she steps back into the real world, she starts to see ghosts from her Southern hometown’s bloody and brutal past everywhere. Are the effects pharmacological or something more sinister? And will Erin be able to shut the Pandora’s box of horrors she’s opened?
With propulsive momentum, bone-chilling scares, and dark meditations on the weight of history, this Southern horror will make you think twice about opening doors to the unknown.
About the Author
Clay McLeod Chapman
Clay McLeod Chapman is the creator of the storytelling session “The Pumpkin Pie Show” and the author of Rest Area, Nothing Untoward, and The Tribe trilogy. He is the co-author, with Nightmare Before Christmas director Henry Selick, of the middle grade novel Wendell and Wild. In the world of comics, Chapman’s work includes Lazaretto, Iron Fist: Phantom Limb, and Edge of Spiderverse. He also writes for the screen, including The Boy (SXSW 2015), Henley (Sundance 2012), and Late Bloomer (Sundance 2005). You can find him at claymcleodchapman.com.